Play Reviews
Make-up
'The script by Andy Moseley, who also directed, is gripping and intense and Moj Taylor gives us a powerful set of mental images through his quietly angry performance. Layer upon layer is warmly/brutally exposed and we learn and appreciate more and more what has become a muddled life. We come out challenged, disturbed, not quite angry: it’s a sharply-observed piece which raises questions, answers some, and raises more.' Buxton Fringe Review
'The writing and performance throughout Make-Up are impressive, working together to create an absolutely real character, with all the messy complexities, contradictions and – yes – flaws that entails. But the thing that really lifts Make-Up to the next level is the humanity of it all. It’s a confident piece of writing and direction, brought to life by a truly compelling performance from Taylor.' North Manchester FM
'Moj Taylor plays the role with a personal belief in Andy Moseley's excellent monologue. On one level it is a tale of indignation and anger at the world, his own family and community who fail to cope with those who are different. On another, it is also an exploration of the issues of identity that can affect us all and how we want to be perceived' Daily Business
'Make Up is a thoughtful examination of the lasting effect of prejudice featuring a strong and empathetic performance. Taylor makes subtle distinctions between the slightly catty Lady Christina and the more laid-back Christopher. Christopher recalling seeing his father while in his Lady Christina persona is a particularly powerful sequence which makes clear he is willing to try and reconcile but has recognised this is unlikely.' British Theatre Guide
'A disarmingly truthful and humorous piece, adroitly constructed and beautifully performed.' All Edinburgh Theatre
'The script by Andy Moseley, who also directed, is gripping and intense and Moj Taylor gives us a powerful set of mental images through his quietly angry performance. Layer upon layer is warmly/brutally exposed and we learn and appreciate more and more what has become a muddled life. We come out challenged, disturbed, not quite angry: it’s a sharply-observed piece which raises questions, answers some, and raises more.' Buxton Fringe Review
'The writing and performance throughout Make-Up are impressive, working together to create an absolutely real character, with all the messy complexities, contradictions and – yes – flaws that entails. But the thing that really lifts Make-Up to the next level is the humanity of it all. It’s a confident piece of writing and direction, brought to life by a truly compelling performance from Taylor.' North Manchester FM
'Moj Taylor plays the role with a personal belief in Andy Moseley's excellent monologue. On one level it is a tale of indignation and anger at the world, his own family and community who fail to cope with those who are different. On another, it is also an exploration of the issues of identity that can affect us all and how we want to be perceived' Daily Business
'Make Up is a thoughtful examination of the lasting effect of prejudice featuring a strong and empathetic performance. Taylor makes subtle distinctions between the slightly catty Lady Christina and the more laid-back Christopher. Christopher recalling seeing his father while in his Lady Christina persona is a particularly powerful sequence which makes clear he is willing to try and reconcile but has recognised this is unlikely.' British Theatre Guide
'A disarmingly truthful and humorous piece, adroitly constructed and beautifully performed.' All Edinburgh Theatre
After We Danced
' If you are looking out for a play that has warmth, examines the human condition, in a well defined, but unsentimental way, then this could be the new play for you. I would hope that this play would have a place in the repertoire of many acting companies across the country' Remote Goat
'Sweet and romantic but doesn't veer towards the saccharine; instead it delivers a satisfying, well-rounded tale that is uplifting and believable. The strong cast inject a sense of energy and innocence into Andy Moseley's carefully balanced script' British Theatre Guide
A light romantic confection with a hopeful gleam in its eye. It achieves exactly what it sets out to do. Charming, well-acted, well written and unfussily performed. Exactly the type of play you can imagine being in the canon of am-dram companies for many years to come' TV Bomb
This is what some audiences might call (with relief) a “proper play”, with costumes, simple sets, well-chosen music and film footage adding to the period feel. A production with real heart, proving gentle, touching and amusing by turns.' Buxton Fringe Review
'A neatly structured tale with nice attention to detail that captures both the period’s feel and sensibilities, the romance has a gentle charm and youthful vivacity. A good traditional piece of theatre that is memorable' Edinburgh Guide
' If you are looking out for a play that has warmth, examines the human condition, in a well defined, but unsentimental way, then this could be the new play for you. I would hope that this play would have a place in the repertoire of many acting companies across the country' Remote Goat
'Sweet and romantic but doesn't veer towards the saccharine; instead it delivers a satisfying, well-rounded tale that is uplifting and believable. The strong cast inject a sense of energy and innocence into Andy Moseley's carefully balanced script' British Theatre Guide
A light romantic confection with a hopeful gleam in its eye. It achieves exactly what it sets out to do. Charming, well-acted, well written and unfussily performed. Exactly the type of play you can imagine being in the canon of am-dram companies for many years to come' TV Bomb
This is what some audiences might call (with relief) a “proper play”, with costumes, simple sets, well-chosen music and film footage adding to the period feel. A production with real heart, proving gentle, touching and amusing by turns.' Buxton Fringe Review
'A neatly structured tale with nice attention to detail that captures both the period’s feel and sensibilities, the romance has a gentle charm and youthful vivacity. A good traditional piece of theatre that is memorable' Edinburgh Guide
A Beginner's Guide to Populism
'Incredibly refreshing and thought provoking. Part of the cleverness of this play was echoing the current political situation, but not copying it. In this way they are able to demonstrate the dangers without being clichéd.' Eleanor Gunn - EdFringe Review.com
'Expertly conceived, written and executed by a team who plainly have an eye for the socio-political zeitgeist. A thoroughly entertaining play, brilliantly executed and cleverly written.' Ian Hamilton - Buxton Fringe Review
'A timely production. It lampoons populism and its insular message with great verve, but without offering simple solutions. The writing is pointed and telling, and manages to note many of the strategies feeding the rise of populism without feeling didactic.' Stephen Walker - Fringe Guru
'Well written, polished and perceptive: a haunting 1984 for the 2018 market.' - Buxton Pure magazine
'Andy Moseley skewers everything that is troubling about politics today in a show as fresh as the day’s news, directed with pace and humour by David Wood.' Louis Mazzini - LondonTheatre1.com
'A wonderfully acted piece that uses humour effectively to emphasise its dark message. A funny and occasionally deeply concerning hour which will leave you convinced that we need better politicians.' Agnes Carrington - Windo - Playstosee.com
'Incredibly refreshing and thought provoking. Part of the cleverness of this play was echoing the current political situation, but not copying it. In this way they are able to demonstrate the dangers without being clichéd.' Eleanor Gunn - EdFringe Review.com
'Expertly conceived, written and executed by a team who plainly have an eye for the socio-political zeitgeist. A thoroughly entertaining play, brilliantly executed and cleverly written.' Ian Hamilton - Buxton Fringe Review
'A timely production. It lampoons populism and its insular message with great verve, but without offering simple solutions. The writing is pointed and telling, and manages to note many of the strategies feeding the rise of populism without feeling didactic.' Stephen Walker - Fringe Guru
'Well written, polished and perceptive: a haunting 1984 for the 2018 market.' - Buxton Pure magazine
'Andy Moseley skewers everything that is troubling about politics today in a show as fresh as the day’s news, directed with pace and humour by David Wood.' Louis Mazzini - LondonTheatre1.com
'A wonderfully acted piece that uses humour effectively to emphasise its dark message. A funny and occasionally deeply concerning hour which will leave you convinced that we need better politicians.' Agnes Carrington - Windo - Playstosee.com
Casual Encounters
'Terrific, very funny with brilliant use of gags to support the three act structure' Richard Bean, One Man, Two Guvnors.
'An exploration of marriage (the institution), relationships (being married), gender roles, class, mores and more. Each is interwoven into a strong piece of theatre that works very well. I can certainly recommend it to you' Buxton Fringe Review
'The script delivers a properly startling plot swerve together with interesting thoughts about the different types of hold we all have over each other. An entertaining eyebrow-raiser, risqué enough to be memorable. I’m glad I gave this one a whirl' Fringe Guru
'Simultaneously timely and timeless. Led by a diamond-sharp direction and story structure.' View from the Gods
'Terrific, very funny with brilliant use of gags to support the three act structure' Richard Bean, One Man, Two Guvnors.
'An exploration of marriage (the institution), relationships (being married), gender roles, class, mores and more. Each is interwoven into a strong piece of theatre that works very well. I can certainly recommend it to you' Buxton Fringe Review
'The script delivers a properly startling plot swerve together with interesting thoughts about the different types of hold we all have over each other. An entertaining eyebrow-raiser, risqué enough to be memorable. I’m glad I gave this one a whirl' Fringe Guru
'Simultaneously timely and timeless. Led by a diamond-sharp direction and story structure.' View from the Gods
Are You Lonesome Tonight?
'The life and death of Elvis informs the drama in a fascinating way. The feud between the actors swells as they have tumultuous rows and then gradually subside as the solid basis of their love is re-established. Whilst one rejects the profundity of Elvis’ presence in their marriage the other is enveloped in the world of the pop star. This makes for an interesting contrast between the characters. A very interesting performance which utilises the work of Elvis in a refreshing way' On the Fringe
'A relevant look at fanaticism and the loss of one’s idols' Three Weeks
'Witty, charming and compelling. I thoroughly enjoyed it' Love Fringe.com
'A very well written piece; the dialogue is filled with wit and pathos' Fringe Report.
'The life and death of Elvis informs the drama in a fascinating way. The feud between the actors swells as they have tumultuous rows and then gradually subside as the solid basis of their love is re-established. Whilst one rejects the profundity of Elvis’ presence in their marriage the other is enveloped in the world of the pop star. This makes for an interesting contrast between the characters. A very interesting performance which utilises the work of Elvis in a refreshing way' On the Fringe
'A relevant look at fanaticism and the loss of one’s idols' Three Weeks
'Witty, charming and compelling. I thoroughly enjoyed it' Love Fringe.com
'A very well written piece; the dialogue is filled with wit and pathos' Fringe Report.
Boxes
A smartly written, emotionally engaging piece, which sets up the two parallel stories but finds ways to have them subtly overlap. Boxes actively addresses many of the issues facing young Londoners. Emily Florence Hutchings and Moj Taylor are particularly convincing at portraying a relationship in reverse, having to undo the idea of years of built-up resentment to become a loving and hopeful young couple again, which they do brilliantly.' Reviews Hub |
Heart Shaped Box
'Perfectly pitched in performance, direction and script. Andy Moseley manages to shift between comedy and tragedy seamlessly... The script is particularly successful in taking twists which could feel clichéd and making them feel fresh.' Fringe Report.com |
